Selasa, 29 Januari 2013

[V313.Ebook] Free PDF Mixed Blessings, by Danielle Steel

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Mixed Blessings, by Danielle Steel

Mixed Blessings, by Danielle Steel



Mixed Blessings, by Danielle Steel

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Mixed Blessings, by Danielle Steel

After the wedding of Diana Goode and Andrew Douglas, Diana teases that they will make a baby on their honeymoon.��But long afterward, she is still not pregnant.��As Diana and Andrew wait out each month only to be bitterly disappointed, they are forced to question just how much they are willing to go through to have a baby.��

Charlie Winwood dreams of a house filled with children.��His bride, party-girl actress Barbie Mason, has other ideas.��When he discovers he is sterile, Charlie has to rethink his deepest values -- and his marriage to a woman who shares none of his dreams.

After ten years of living together, Pilar Graham, a prominent Santa Barbara attorney, marries Judge Brad Coleman, who is nineteen years her senior and father of two grown children.��They are happy with their comfortable life together, � deux, until Pilar begins to wonder if she will someday regret not having a baby with Brad.��Are they crazy to begin now -- with Brad about to become a grandfather and Pilar with a busy career, and in her early forties, possibly putting herself at risk?

Through the lives of these couples, Danielle Steel shows us the mixed blessingswe face as we build our families and live our modern lives.��She touches us with the triumphant people who prevail, their victories, their defeats, their tragedies and joys, their compromises, their lives.

  • Sales Rank: #182467 in eBooks
  • Published on: 2009-02-20
  • Released on: 2009-02-25
  • Format: Kindle eBook

From Publishers Weekly
The prolific Steel ( No Greater Love ) turns her attentions to a contemporary topic: infertility, and the desperate measures that couples resort to in the hope of biological parenthood. Steel's approach, however, is often maudlin and simplistic. Here, three California couples are married on the same day; none of the women proves able to conceive. The couples never meet, but Steel tracks their common fate with a vigor that rivals her characters' quest for children. Various partners consult fertility experts, and ultimately every conceivable aspect of reproductive medicine, including surrogate motherhood, is given its due. Steel explores the emotional strain on the couples: Diana and Andy, who previously led charmed lives; bubbleheaded would-be starlet Barbi and unexciting but wholesome Charlie; and 42-year-old Pilar, a successful attorney, and 61-year-old Bradford, a judge and widower who has two children. Marriages founder, but conventionally good characters find their way to happy endings. While Steel sets up potentially complex family relationships, she forgoes developing them; just as it wreaks havoc on the characters, the single-minded pursuit of babies damages the narrative. Major ad/promo; Literary Guild and Doubleday Book Club main selection.
Copyright 1992 Reed Business Information, Inc.

From the Publisher

After the wedding of Diana Goode and Andrew Douglas, Diana teases that theywill make a baby on their honeymoon. But long afterward, she is still notpregnant. As Diana and Andrew wait out each month only to be bitterlydisappointed, they are forced to question just how much they are willing to gothrough to have a baby.

Charlie Winwood dreams of a house filled with children. His bride, party-girlactress Barbie Mason, has other ideas. When he discovers he is sterile,Charlie has to rethink his deepest values -- and his marriage to a woman whoshares none of his dreams.

After ten years of living together, Pilar Graham, a prominent Santa Barbaraattorney, marries Judge Brad Coleman, who is nineteen years her senior andfather of two grown children. They are happy with their comfortable lifetogether, � deux, until Pilar begins to wonder if she will somedayregret not having a baby with Brad. Are they crazy to begin now -- with Bradabout to become a grandfather and Pilar with a busy career, and in her earlyforties, possibly putting herself at risk?

Through the lives of these couples, Danielle Steel shows us the mixed blessingswe face as we build our families and live our modern lives. She touches uswith the triumphant people who prevail, their victories, their defeats, theirtragedies and joys, their compromises, their lives.

From the Inside Flap
After the wedding of Diana Goode and Andrew Douglas, Diana teases that they will make a baby on their honeymoon. But long afterward, she is still not pregnant. As Diana and Andrew wait out each month only to be bitterly disappointed, they are forced to question just how much they are willing to go through to have a baby.
Charlie Winwood dreams of a house filled with children. His bride, party-girl actress Barbie Mason, has other ideas. When he discovers he is sterile, Charlie has to rethink his deepest values -- and his marriage to a woman who shares none of his dreams.
After ten years of living together, Pilar Graham, a prominent Santa Barbara attorney, marries Judge Brad Coleman, who is nineteen years her senior and father of two grown children. They are happy with their comfortable life together, a deux, until Pilar begins to wonder if she will someday regret not having a baby with Brad. Are they crazy to begin now -- with Brad about to become a grandfather and Pilar with a busy career, and in her early forties, possibly putting herself at risk?
Through the lives of these couples, Danielle Steel shows us the mixed blessingswe face as we build our families and live our modern lives. She touches us with the triumphant people who prevail, their victories, their defeats, their tragedies and joys, their compromises, their lives.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This is one of the worst books by Danielle Steel I've ever read and I ...
By Dr. Mag. Leschinger Renate
This is one of the worst books by Danielle Steel I've ever read and I have already read over 60 of her books by the way. This book deals mainly about 3 different couples or families trying to get pregnant, being pregnant, having abortions, surrogate mothers, IVF, detailed gynecological examinations and births, adoption, sterility and what not.
I wonder why Danielle Steel wrote such a book, for what, for whom, etc. because of it's awful descriptions and boring content. The three different stories are interwoven in such a way that you don't realize at first who she is talking about because there's no change of chapter or a hint, that now it's about another couple or family.
In my experience, Danielle Steel can do better!

0 of 0 people found the following review helpful.
One Star
By Debbie
Read it but way too sad for me. Wish I didn't read it

0 of 0 people found the following review helpful.
Five Stars
By Becky O'Neal
Loved it as I love all of her books.

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Jumat, 25 Januari 2013

[T794.Ebook] Fee Download How to Pray for Your Children, by Quin Sherrer, Ruthanne Garlock

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How to Pray for Your Children, by Quin Sherrer, Ruthanne Garlock

How to Pray for Your Children, by Quin Sherrer, Ruthanne Garlock



How to Pray for Your Children, by Quin Sherrer, Ruthanne Garlock

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How to Pray for Your Children, by Quin Sherrer, Ruthanne Garlock

What are your hopes for your children? That they'll become strong Christians? That they'll be able to resist the temptations around them? That they'll live the kinds of lives that will make a difference in the world? Quin Sherrer and Ruthanne Garlock had these same concerns for each of their three children. In this classic book, Quin and Ruthanne teach us how to pray for both our godly and wayward children, for our children's friends, for those in authority over our children, for children in the womb and for chronically ill or dying children. Whatever your concerns for your children, whatever their condition at this moment, this book will inform, instruct and inspire you to persevere in your prayers for your children.

  • Sales Rank: #482747 in Books
  • Brand: Brand: Regal Books
  • Published on: 1998-08
  • Original language: English
  • Number of items: 1
  • Dimensions: .79" h x 5.53" w x 8.46" l,
  • Binding: Paperback
Features
  • Used Book in Good Condition

About the Author
Quin Sherrer has appeared on more than 250 radio and television programs, including The 700 Club and CBN's "Heart to Heart." Quin's desire is to teach women how to pray more effectively, which she teaches extensively in the U.S. and abroad. Quin and her husband, LeRoy, live in Colorado Springs. Quin and Ruthanne Garlock have co-authored eight books together. Ruthanne Garlock travels internationally teaching on the subject of prayer. She has taught at a Bible School in Brussels, Belgium, and serves on the board of Christian Haitian Outreach, an orphanage ministry in Haiti.

Most helpful customer reviews

5 of 6 people found the following review helpful.
Encouragement in Prayer
By Janny
I've only just started Quin Sherrer's How To Pray for Your Children but I find it so encouraging. It's easy to stop praying when God doesn't give an instant answer. She reminds us that Satan will try to sabotage your relationship with the person you are praying for. How true.

2 of 2 people found the following review helpful.
Excellent Book
By Bobbie J.
A very good book to have in your library regardless if your children are young or are adults. I found this book very helpful and encouraging.

3 of 4 people found the following review helpful.
When you need Wisdom to Pray for Your Children
By Kim Kipling Froom
I was visiting at my Mother's and saw this book, started to read and literally couldn't put it down. I have since ordered my own from amazon.com, so I now have my own. A must have for your collection.

God Bless

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Senin, 21 Januari 2013

[E101.Ebook] Download The Divine Comedy, Part 1: Hell (Penguin Classics), by Dante Alighieri

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The Divine Comedy, Part 1: Hell (Penguin Classics), by Dante Alighieri

The Divine Comedy, Part 1: Hell (Penguin Classics), by Dante Alighieri



The Divine Comedy, Part 1: Hell (Penguin Classics), by Dante Alighieri

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The Divine Comedy, Part 1: Hell (Penguin Classics), by Dante Alighieri

The first volume of Dante's Divine Comedy

Guided by the poet Virgil, Dante plunges to the very depths of Hell and embarks on his arduous journey towards God. Together they descend through the nine circles of the underworld and encounter the tormented souls of the damned - from heretics and pagans to gluttons, criminals and seducers - who tell of their sad fates and predict events still to come in Dante’s life. In this first part of his Divine Comedy, Dante fused satire and humour with intellect and soaring passion to create an immortal Christian allegory of mankind’s search for self-knowledge and spiritual enlightenment.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.

  • Sales Rank: #159908 in Books
  • Published on: 1950-06-30
  • Released on: 1950-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .64" w x 5.10" l, .54 pounds
  • Binding: Paperback
  • 352 pages

Review
“The English Dante of choice.” –Hugh Kenner

“Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths.” –Robert Fagles, Princeton University

“A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry.” –Henri Peyre, Yale University

From the Back Cover
This story begins in a shadowed forest on Good Friday in the year of our Lord 1300. It proceeds on a journey that, in its intense re-creation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity.

About the Author
Dante Alighieri was born in Florence in 1265 and belonged to a noble but impoverished family. He was married when he was around twenty to Gemma Donati and had four children. He met Beatrice, who was to be his muse, in 1274, and when she died in 1290 he sought distraction in philosophy and theology, and wrote La Vita Nuova. He worked on the Divine Comedy from 1308 until near the time of his death in Ravenna in 1321.

Dorothy L. Sayers wrote novels, poetry, and translated Dante for Penguin Classics. She died in 1957.

Barbara Reynolds was Lecturer in Italian at Cambridge University and subsequently Reader in Italian Studies at Nottingham, and Honorary Reader at Warwick. She has written books, both on Italian authors and on Dorothy L. Sayers.

Most helpful customer reviews

61 of 65 people found the following review helpful.
Sayers Meets Dante: Interpreting the Poet's Voice...
By A Customer
This review relates to the volume 1 of Dante Alighieri's
-The Divine Comedy-, Hell; Translated by Dorothy L. Sayers,
Penguin Classics, 1949. 346 pp.
Other reviewers have spoken to the perceived weaknesses
and problems with this particular translation and
volume, with Ms. Sayers' "Introduction" and "Notes."
Perhaps one should be warned before entering its portals,
as constructed by Ms. Sayers, that this is not an "easy"
Hell to assimilate.
Yet, at the beginning of her "Introduction," she presents
the offering in an inviting fashion: "The ideal way of
reading -The Divine Comedy- would be to start at the first
line and go straight through to the end, surrendering to
the vigour of the story-telling and the swift movement
of the verse, and not bothering about any historical
allusions or theological explanatios which do not occur
in the text itself. That is how Dante himself tackles
his subject."
Some readers may not find Ms. Sayers' translation to be
one that lends itself to "swift movement of the verse."
The value here, however, is the wealth of information
provided in both the "Introduction", the Notes, and
in the map drawings which clearly help the mind's eye
understand the "lay-out" of Hell as depicted by Dante.
The value of Ms. Sayer's "Introduction" is its clear
presentation of HER view of Dante, his work, his value,
his meaning, and his emphases.
She concentrates on the Images of Hell and on the Christian
doctrine implicit in the work. This translation is in
keeping with that emphasis, for it is structured,
somewhat restricted, and presents "Dante's" voice
as more attuned to the didactic and lecturing. Even the
voices of the denizens of Hell have the tones of
stern lesson-learning rather than evoking pity for
their failed virtue and blind human proclivities.
The problem with some readers, and some viewers of
Christianity, is trying to reconcile the idea of
stern, unrelenting, eternal Judgment and damnation
for sins with the idea of God's eternal Love, or as
Ms. Sayers translates the second tercet of Dante's
*terza rima* on the lintel of the entrance to Hell:
Justice Moved My Great Maker; God Eternal
Wrought Me: The Power, And The Unsearchably
High Wisdom, And The Primal Love Supernal.
Ms. Sayers will have no human shilly-shallying with
Dante's intent or the purpose of Hell. And that,
though it may appall some readers, is to the good;
for it forces the reader to confront whether or not
he or she accepts or does not the Christian doctrinal
views -- and helps the reader to understand the
serious nature of choosing one's faith and one's
religion, or not.
After each Canto, Ms. Sayers uses the same very
helpful devices for explaining the preceding Canto:
first, she discusses the main Images to be found in
that particular Canto in a very clear, full, doctrinal
way -- and then, she has the numbered notes which
explain allusions and phrases which Dante uses in
the work.
For instance, after Canto I, we find: "The Images.
-The Dark Wood- is the image of Sin or Error -- not so
much of any specific act of sin or intellectual perversion
as of that spiritual condition called "hardness of heart",
in which sinfulness has so taken possession of the soul as
to render it incapable of turning to God, or even knowing
which way to turn." Similarly, after Canto III, we find
this note concerning the phrase "the good of intellect":
"In the -Convivio- Dante quotes Aristotle as saying:
'truth is the good of the intellect'. What the lost souls
have lost is not the intellect itself, which still functions
mechanically, but the -good- of the intellect: i.e., the
knowledge of God, who is Truth."
This is an excellent edition for the scope of Ms. Sayers'
medieval scholarship and doctrinal insights. Though it
may be hard sledding for the tender-hearted. There
have always been several ways of seeing the road to
Hell -- in this version, once one strays from the
straight and narrow, there is only the crooked and
pit-full, not pitiful.
-- Robert Kilgore.

49 of 52 people found the following review helpful.
A readable translation with helpful notes and introduction
By Paul M. Dubuc
Having wanted to read Inferno for a long time, I was glad to find Dorothy Sayers' translation since I value her own writing. I'm no scholar, so I can't compare this critically to the numerous other translations available. I just come looking to enjoy reading and understanding great classic literature on occasion. It takes a great deal of background information to appreciate this work. The Divine Comedy can be examined from many different angles: Poetry, allegory, theology, a spiritual journey, a love story. Sayers' introduction and notes, and the diagrams and drawings in this book were a great help to me. Some may argue that the scholarship is a bit dated, but Sayers clearly loved The Divine Comedy and wanted her readers to appreciate it also. The result of her work was a very interesting reading experience for me, better than I expected. I particularly enjoyed the insights she incorporated into the notes from Charles Williams' book, The Figure of Beatrice. (Sayers dedicated her translation of The Divine Comedy to Williams.) The verse might make it a little more difficult to get the meaning until you get used to it, but I think it's worth the effort. Once I found a good reading pace, I didn't find the rhyming forced as some readers have. (It might seem that way if you look for it.) It must be a difficult thing to try to give readers of English the same experience that Dante's Italian readers had and I think that was Dorothy Sayers' goal. She got me interested enough to take seriously her claim that readers of Dante are cheating themselves if they stop after Inferno. On through Purgatory to Paradise ... It must only get better from here.

24 of 24 people found the following review helpful.
Poetry even for us monoglots
By arucuan
Let's begin with Dante. Called "the divine poet" (hence the adjective attached to his humbly titled Commedia), it is a difficult moniker to argue with, not because Dante is writing of heaven but because his imagery, his imagination, and his humility are true imitations of the creative activity of God. Dante is a sublime "sub-creator" to use the coinage of JRR Tolkien. If you can read the Commedia and not be moved to tears, one is tempted to doubt your humanity for Dante portrays the race in all its beauty and putridness and denies neither. He neither celebrates mankind's faculties and achievements beyond their due nor fears to recognize the vileness of which humans are capable.

And it is Canticle II, the poet's ascent through Purgatory, which stirs so deeply the soul and inspires the very penitence and hope of purgation which Dante describes there. One need not be a Roman Catholic or ascribe to Purgatory as doctrine in order to recognize and appreciate what Dante has done in describing the landscape of repentance and hope. (Being a Christian may help, but even on this point one suspects that the divine poet may well perform the function of evangelist, as well as exegete, and lead the searching soul to beatific vision of its own.) Clearly his purpose is not merely to describe what sinners of the past are doing in the afterlife to purify their souls for Paradise, but also to inspire his contemporary readers (who are, of course, yet living when the poem is published in 1321) to examine themselves just as the joyful penitents do on the cornices of Mount Purgatory. It is refreshing--a sort of glorious wound, the healing of which leaves one stronger and more whole than he had been before the hurt.

But what of the translation? We who do not (yet) enjoy the privilege of reading the Commedia in Italian must read the poem in translation--and there are plenty to choose from! Given its primacy among the works of Western Literature in the Middle Ages, the poem has been translated by everyone from Dryden and Pope to Allen Mandelbaum and John Ciardi. So first of all, without question one MUST insist on a verse translation! Prose translations can hardly suffice to communicate the rhythm and terseness of Dante's terza rima which is so integral to the poem. Nor can the majesty of the subject, the grandeur of the poet's climb toward Paradise with all its anticipation and awe be fully communicated in a prose rendering. How well various attempts at verse have succeeded in doing so is the big debate.

In this reviewer's humble opinion, Dorothy L Sayers has succeeded to a degree which surpasses any extant English translation. Are there occasional awkwardnesses? Yes. Is the literal meaning of some lines lost from time to time? Yes, but always for the sake of a gain in some other important respect and always with explanation. Sayers' is the only translation of note which manages to render in English the full terza rima rhyme scheme employed by Dante--and even that feat is worth a few awkward passages or archaisms, it seems to me. One feels much closer to the Divine Poet reading Sayers' translation aloud than, say, Ciardi's half-attempted rhymes, lucid as he can often be.

Whatever else you do, read the Commedia--all of it! It is rather unfortunate that it has become common practice to publish the poem in three volumes rather than presenting it as an integrated whole. Though the familiarity of many ends with Inferno, those who press on I suspect will love Purgatorio best (but fortunately one is not forced to choose), and I am confident readers will be well rewarded for reading Sayers' brilliant translation. One would be hard pressed to find a translator who was more passionate about her subject and who labored more lovingly and meticulously over her rendering of this beloved work than Dorothy L Sayers.

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Master the SAP product ecosystem, the client environment, and the feasibility of implementing critical business process with the required technical and functional configuration. SAP Project Management Pitfalls is the first book to provide you with real examples of the pitfalls that you can avoid, providing you with a road-map to a successful implementation.

Jay Kay, a SAP Program Manager for Capgemini, first takes a deep dive into common pitfalls in implementing SAP ERP projects in a complex IT landscape. You will learn about the potential causes of failures, study a selection of relevant project implementation case studies in the area, and see a range of possible countermeasures. Jay Kay also provides background on each - the significance of each implementation area, its relevance to a service company that implements SAP projects, and the current state of research.

Key highlights of the book:

  • Tools and techniques for project planning and templates for allocating resources
  • Industry standards and innovations in SAP implementation projects in the form of standard solutions aimed at successful implementation
  • Managing SAP system ECC upgrades, EHP updates and project patches
  • Learn effective ways to implement robust SAP release management practices (change management, BAU)

Wearing a practitioner’s insight, Jay Kay explores the relevance of each failed implementation scenario and how to support your company or clients to succeed in a SAP implementation. There are many considerations when implementing SAP, but as you will learn, knowledge, insight, and effective tools to mitigate risks can take you to a successful implementation project.

  • Sales Rank: #1986350 in Books
  • Published on: 2016-05-26
  • Released on: 2015-12-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .81" w x 7.00" l, 1.36 pounds
  • Binding: Paperback
  • 325 pages

About the Author

Jay Kay is an SAP professional with over 20+ years of experience in the Industry. He has worked with various clients in the US, EUR & APJ with successful ERP Implementations, Upgrade and Rollout projects. He is a trainer at SAP Academy in India and a frequent blogger helping clients to achieve the project management goals.��

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Senin, 14 Januari 2013

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Have you ever watched a movie and wondered how the hero managed to cram twenty shots into a six shooter? Has the guy at your gun shop espoused the “clear advantages” of a one hundred year old design to the exclusion of all others, despite advances in firearms technology? There is no doubt that you have seen someone on the news get all twitterpated over “military grade assault weapons on our streets”. GatFacts™, the Internet's most trusted source of bad gun advice, aims to catch the essence of all of these misconceptions about firearms, from function, to what that to do when faced with an intruder. This collection contains one hundred of such claims revised to give context and to give some anonymity the source.

  • Sales Rank: #1181390 in Books
  • Published on: 2015-04-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .24" w x 8.00" l, .66 pounds
  • Binding: Paperback
  • 102 pages

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Sabtu, 12 Januari 2013

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Rocking Around the Clock: Music Television, Post Modernism and Consumer Culture, by E. Ann Kaplan

Ann Kaplan examines the cultural context of MTV and its relationship to the history of rock music. The first part of the book focuses on MTV as a commerical institution. In the second, Kaplan identifies five distinct types of video. There are detailed analyses of videos by Bruce Springsteen, Billy Idol, Paul Young, Madonna, Tina Turner, Pat Benatar, Annie Lennox, and Aretha Franklin, and discussion of many more. Kaplan focuses particularly on gender issues in videos by both male and female stars.

  • Sales Rank: #2451099 in Books
  • Published on: 1987-11-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 2.00" w x 8.00" l,
  • Binding: Paperback
  • 224 pages

From Publishers Weekly
Kaplan (Women and Film), a Rutgers professor of English and film, offers a full-length study of the 24-hour cable channel MTV. Even though the channel airs promotional rock videos in "one nearly continuous advertisement," she notes that its use of avant-garde techniques and Hollywood pastiche have made MTV a popular, postmodernist success. Kaplan examines the business side of MTV, then delves into the rock videos themselves, which she divides into five distinct types (romantic, socially conscious, nihilistic, classical and postmodern). She also considers violence in videos, commenting on Tom Petty's "Don't Come Around Here No More," which many consider typically nasty: "The events do not have the overall investment in a certain kind of desire that the sadistic narrative usually has." In general, Kaplan argues that MTV "utilizes adolescent desire for its own commercial ends." Her conclusions about the long-range implications of MTV and today's "massified youth culture" are perceptive, depressing and probing.
Copyright 1987 Reed Business Information, Inc.

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Field Experiments: Design, Analysis, and Interpretation[ FIELD EXPERIMENTS: DESIGN, ANALYSIS, AND INTERPRETATION ] By Gerber, Alan ( Author )May-29-2012 Paperback

  • Published on: 2012
  • Binding: Paperback

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[ Field Experiments: Design, Analysis, and Interpretation[ FIELD EXPERIMENTS: DESIGN, ANALYSIS, AND INTERPRETATION ] , by Gerber, Alan ( Auth PDF

Jumat, 11 Januari 2013

[H327.Ebook] Download What Jesse Forgot: Volume 1, by Gene Hunter

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What Jesse Forgot: Volume 1, by Gene Hunter

Jesse Springer, a garden-variety, egocentric rich guy with an unerring penchant for shooting himself in the foot, is being blackmailed after a visit to an up-market strip club owned by the local crime boss. Trouble is he doesn't remember a thing about it—even after a wad of explicit photographs arrive in the mail one morning.

Jesse panics and hires maverick private investigator, Jay Leonard—no stranger to self-induced mayhem himself— to investigate. Nothing is what it seems when Jay heads down to the endless grass and millionaire stud farms surrounding Louisville, home of the Kentucky Derby, where he finds it’s not all old South charm and mint juleps and he's soon caught up in a lethal game of double-crossing, pain and bloodshed.

  • Published on: 2015-08-20
  • Released on: 2015-08-20
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
"A promising start"
By Father Ted
This is a gritty suspense with good characterisation. Part One of this story has 'light and shade' too which is a welcome change. There are several tense, even frightening moments of action, but in between there's still time for a little romance and laughter.

0 of 0 people found the following review helpful.
Good story. But quits 1/2 way through & then ...
By Donald
Good story. But quits 1/2 way through & then you have to buy the rest of the book. Had I known that would have not read the first part.

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Senin, 07 Januari 2013

[A648.Ebook] Download Damballah, by John Edgar Wideman

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Damballah, by John Edgar Wideman

This collection of interrelated stories spans the history of Homewood, a Pittsburgh community founded by a runaway slave. With stunning lyricism, Wideman sings of "dead children in garbage cans, of gospel and basketball, of lost gods and dead fathers" (John Leonard). It is a celebration of people who, in the face of crisis, uphold one another--with grace, courage, and dignity.

  • Sales Rank: #3580617 in Books
  • Published on: 1984-03
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 208 pages

From Library Journal
This short story collection and novel, respectively, both published in 1981, are the second and third volumes in the author's Homewood trilogy. Damballah contains a dozen stories spanning many years in a Pittsburgh community founded by a runaway slave. Hiding Place shares the same setting.
Copyright 1999 Reed Business Information, Inc.

Review
"A novelist of high seriousness and dept . . . enormous care and intelligence." The New York Times

About the Author
JOHN EDGAR WIDEMAN is the author of more than twenty works of fiction and nonfiction, including the award-winning Brothers and Keepers, Philadelphia Fire, and most recently the story collection God's Gym. He is the recipient of two PEN/ Faulkner Awards and has been nominated for the National Book Award. He teaches at Brown University.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Wideman Deserves a Nobel Prize
By Zack Ward
Every year, literary types like to speculate on who will be named the winner of the Nobel Prize for Literature, and in the US, the names that get bandied about are always the same: Roth, Pynchon, McCarthy, Oates, etc. Well, for my money, there is one writer who is just as devastatingly good as any other in America, and whose work has shed light on what it has meant to be an American in the latter half of the twentieth century, and now into the twenty-first: John Edgar Wideman. Only it seems that every time I recommend him to someone they claim to have never heard of him, and approaching the year 2013, a number of his books are out of print, and I almost never see them on bookstore shelves anymore. It's a shame. If you're serious about good literature, then you should do yourself a favor and check out his work.

Damballah is as good a place as any to start, being the first entry in his celebrated Homewood trilogy. Because here you get a good feel for Wideman's fiction--his concerns and preoccupations, his style and tone, his free approach to form--in short, gripping stories, each one a dispatch from a neighborhood in Pittsburgh that can only be described, in the time about which Wideman writes, as a ghetto. And Wideman does not shy away from depicting the worst of life in Homewood--a newborn thrown out with the trash, murder and attempted murder, people dealing with the emotional scars of a life that can be cruel and seemingly hopeless. What gives these bleak portraits life--and hope--are descriptions of small acts of goodness and forbearance and mercy, language that is sometimes startling and always alive on the page, and the knowledge that from the hellish place Wideman describes emerged an artist of the first rank, who has been a witness to this often-misunderstood aspect of American life, and has, with honesty and forcefulness and gritty poetry, given it a place in our literature.

Wideman has a Faulknerian concern with place, and with tracing roots. (There is a "begat chart" at the beginning of the book, telling you how the characters in the pages that follow are all related.) And his writing can be Faulknerian, too, ranging back and forth in time, swooping into a character's thoughts and then back outside his or her head, often even blurring the line between fiction and non-fiction. There is much of Wideman himself on these pages--not just the dramas of his own personal life, but his own sense of what literature can be. Reading these stories, I get a sense of an author who is simply writing what he has in his heart to write, even if it's not the kind of stuff that will make the bestseller lists, and even if it's not always easy to read. There are no outlandish, gimmicky characters, no attempts at literary cleverness, no easy jokes. There is just a very clear-eyed look at the lives of these troubled people, from the runaway slave who first settled in Homewood to the young men being imprisoned there more than a century later.

Read Damballah. And if it's to your liking, then try Wideman's great novel, Philadelphia Fire. And hopefully one of these years those folks out in Sweden will give Wideman the recognition he deserves.

6 of 7 people found the following review helpful.
Contains Some of Wideman's Best Short Stories
By A Customer
Even if you don't read the rest of the Homewood Books, this collection stands up strong on its own. Stories such as "Damballah," "Daddy Garbage," and "The Caterpillar Story" are engaging although they are only a few pages long. The stoies are diverse, but they fit together to form an understanding of how a community survives through poverty and alienation. Some of the best stories in this collection are the touching "Daddy Garbage," the spirited "Love Songs of Reba Love Jackson," and the realistic "Rashad."

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Minggu, 06 Januari 2013

[O970.Ebook] PDF Download Learning to Die in the Anthropocene: Reflections on the End of a Civilization (City Lights Open Media), by Roy Scranton

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Learning to Die in the Anthropocene: Reflections on the End of a Civilization (City Lights Open Media), by Roy Scranton

"In Learning to Die in the Anthropocene, Roy Scranton draws on his experiences in Iraq to confront the grim realities of climate change. The result is a fierce and provocative book."--Elizabeth Kolbert, Pulitzer Prize-winning author of The Sixth Extinction: An Unnatural History

"Roy Scranton's Learning to Die in the Anthropocene presents, without extraneous bullshit, what we must do to survive on Earth. It's a powerful, useful, and ultimately hopeful book that more than any other I've read has the ability to change people's minds and create change. For me, it crystallizes and expresses what I've been thinking about and trying to get a grasp on. The economical way it does so, with such clarity, sets the book apart from most others on the subject."--Jeff VanderMeer, author of the Southern Reach trilogy

"Roy Scranton lucidly articulates the depth of the climate crisis with an honesty that is all too rare, then calls for a reimagined humanism that will help us meet our stormy future with as much decency as we can muster. While I don't share his conclusions about the potential for social movements to drive ambitious mitigation, this is a wise and important challenge from an elegant writer and original thinker. A critical intervention."--Naomi Klein, author of This Changes Everything: Capitalism vs. the Climate

"Concise, elegant, erudite, heartfelt & wise."--Amitav Ghosh, author of Flood of Fire

"War veteran and journalist Roy Scranton combines memoir, philosophy, and science writing to craft one of the definitive documents of the modern era."--The Believer Best Books of 2015

Coming home from the war in Iraq, US Army private Roy Scranton thought he'd left the world of strife behind. Then he watched as new calamities struck America, heralding a threat far more dangerous than ISIS or Al Qaeda: Hurricane Katrina, Superstorm Sandy, megadrought--the shock and awe of global warming.

Our world is changing. Rising seas, spiking temperatures, and extreme weather imperil global infrastructure, crops, and water supplies. Conflict, famine, plagues, and riots menace from every quarter. From war-stricken Baghdad to the melting Arctic, human-caused climate change poses a danger not only to political and economic stability, but to civilization itself . . . and to what it means to be human. Our greatest enemy, it turns out, is ourselves. The warmer, wetter, more chaotic world we now live in--the Anthropocene--demands a radical new vision of human life.

In this bracing response to climate change, Roy Scranton combines memoir, reportage, philosophy, and Zen wisdom to explore what it means to be human in a rapidly evolving world, taking readers on a journey through street protests, the latest findings of earth scientists, a historic UN summit, millennia of geological history, and the persistent vitality of ancient literature. Expanding on his influential New York Times essay (the #1 most-emailed article the day it appeared, and selected for Best American Science and Nature Writing 2014), Scranton responds to the existential problem of global warming by arguing that in order to survive, we must come to terms with our mortality.

Plato argued that to philosophize is to learn to die. If that’s true, says Scranton, then we have entered humanity’s most philosophical age--for this is precisely the problem of the Anthropocene. The trouble now is that we must learn to die not as individuals, but as a civilization.

Roy Scranton has published in the New York Times, Wall Street Journal, Rolling Stone, Boston Review, and Theory and Event, and has been interviewed on NPR's Fresh Air, among other media.


  • Sales Rank: #141776 in eBooks
  • Published on: 2015-09-07
  • Released on: 2015-09-07
  • Format: Kindle eBook

Review

More praise for Learning to Die in the Anthropocene:

"Roy Scranton gets it. He knows in his bones that this civilization is over. He knows it is high time to start again the human dance of making some other way to live. In his distinctive and original way he works though a common cultural inheritance, making it something fresh and new for these all too interesting times. This compressed, essential text offers both uncomfortable truths and unexpected joy."--McKenzie Wark, author of Molecular Red: Theory for the Anthropocene

"We're f*cked. We know it. Kind of. But Roy Scranton in this blistering new book goes down to the darkness, looks hard and doesn't blink. He even brings back a few, hard-earned slivers of light. . . . What is philosophy? It's time comprehended in thought. This is our time and Roy Scranton has had the courage to think it in prose that sometimes feels more like bullets than bullet points."--Simon Critchley, Co-founder and moderator of The New York Times online philosophy series "The Stone"

"An eloquent, ambitious, and provocative book."--Rob Nixon, author of Slow Violence and the Environmentalism of the Poor

"Roy Scranton has written a howl for the Anthropocene--a book full of passion, fire, science and wisdom. It cuts deeper than anything that has yet been written on the subject."--Dale Jamieson, author of Reason in a Dark Time: Why the Struggle to Stop Climate Change Failed--And What It Means For Our Future

"As a motivator, the concept Life hasn't been working out so great, hardwired as it is into the post-Neolithic drive to exist no matter what the quality of that existence. Life won't help you to live. Including ecological awareness in our political decisions means including as much death in as many different modes (psychic, philosophical, social) as we can manage. Roy Scranton has written an essential recipe book for adding some death to the bland, oppressive and ecologically disastrous human cake."--Timothy Morton, author of Ecology without Nature: Rethinking Environmental Aesthetics

"In the brief but crowded pages of Learning to Die in the Anthropocene, Iraq War veteran, Roy Scranton, wields both history and philosophy as forensic tools. With the unblinking eyes of a medical examiner, he systematically reveals the causes, trajectory and outcome of our planetary domination and its subsequent climate crisis. Slicing away obscuring adipose tissue of romanticism on the left and denial on the right, he pinpoints the source of the corpse's demise."--Jose Knighton, Weller Book Works' Newsletter

"Scranton has always been a few steps ahead of other veteran-authors. . . . Learning to Die in the Anthropocene casts a beautiful allure."--Peter Molin, Time Now

"Scranton’s book has its own kind of power. . . . There is something cathartic about his refusal to shy away from the full scope of our predicament."--Rebecca Tuhus-Dubrow, The Los Angeles Review of Books

"This is a small book with big ideas from an Army veteran who views the flooding after Hurricane Katrina and sees 'the same chaos and collapse I’d seen in Baghdad.' Scranton brings meaning and humor to the mayhem."--J. Ford Huffman, The Military Times

"With clarity and conviction, Scranton explores the global failure to address the climate crisis and the possibility that the planet could become uninhabitable. Referring to classic texts as far back as The Epic of Gilgamesh, he urges readers to face their fear of death and find guidance in literature as they prepare for and adapt to the future. The book is an unapologetic punch in the gut, likely to leave many readers gasping. Scranton does offer a kind of hope: By making tough accommodations and reconnecting with our core humanity, we may eventually be able to recover our collective breath."--Michael Berry, Sierra Magazine

" . . . Scranton’s book is a very well researched investigation into our troubled future. Scranton doesn’t sugar coat his findings, 'We are f*cked' as he so bluntly puts it. And indeed with the rise in global temperatures set to soar in the next fifty years bringing with it melting ice caps, rising seas, a toxic cocktail of carbon dioxide and methane that has remained locked in the permafrost for centuries, no argument can be made against Scranton’s statement."--Stephen Lee Naish, Hong Kong Review of Books


About the Author

A war veteran, journalist, and author, Roy Scrantonhas published in the New York Times, Wall Street Journal, Rolling Stone, Boston Review, and Theory and Event, and has been interviewed on NPR's Fresh Air, among other media.


Most helpful customer reviews

29 of 30 people found the following review helpful.
THE BEST POSSIBLE STARTING PLACE
By D. J Penick
This small and concise book presents the ecological likelihood of our human fate, the blinkered and predatory ways we are dealing with it, the inescapable human reliance of violence in the case of threat, and the lack of any real control in ensuring our continuity . Roy Scranton, a former soldier, has written a deeply thoughtful essay. It is a call to accepting our mortality while working to continue what has been deepest and most enduring in our culture. One may or may not agree with any of the specific arguments here, but there is no doubt that this book places all the crucial issues on the table.

34 of 37 people found the following review helpful.
“‘To philosophize is to learn how to die’ … precisely the problem of the Anthropocene” (pp. 20-21)
By R. Russell Bittner
Dale Jamieson, environmental philosopher and the author of REASON IN A DARK TIME: WHY THE STRUGGLE AGAINST CLIMATE CHANGE FAILED—AND WHAT IT MEANS FOR OUR FUTURE writes that “Roy Scranton has written a howl for the Anthropocene—a book full of passion, fire, science and wisdom. It cuts deeper than anything that has yet been written on the subject.” This is high praise coming from a man who’d know—and who wouldn’t dish out that kind of praise lightly.

Scranton sets the stage for global catastrophe already on p. 16 with this quote from the geophysicist, David Archer: “‘(t)he potential for planetary devastation posed by the methane hydrate reservoir … seems comparable to the destructive potential of nuclear winter or from a comet or asteroid impact.” I don’t consider myself an ignoramus on the subject of climate change by any stretch of the imagination – and yet, this mention of a methane reservoir just beneath the floor of the Arctic Ocean came as a complete surprise to me.

And just in case you (or I) thought this sounded rather bleak, Scranton concludes the first section of his monograph with “(f)rom the perspective of many policy experts, climate scientists, and national security officials, the concern is not whether global warming exists or how we might prevent it, but how we are going to adapt to life in the hot, volatile world we’ve created.”

Less debatable is Scranton’s contention on p. 23 that “(c)arbon-fueled capitalism is a zombie system, voracious but sterile. The aggressive human monoculture has proven astoundingly virulent but also toxic, cannibalistic, and self-destructive. It is unsustainable, both in itself and as a response to catastrophic climate change.” Espousing as much is not likely to ‘win friends and influence people’—any more than it’s likely to usher in the next U. S. president. Instead, we’ll all continue to suck on that teat called ‘denial’ right up until the day it runs mysteriously and definitively dry. As Scranton sagely suggests on p. 43, “(n)o population on the planet today is going to willingly trade economic power for lower carbon emissions, especially since economic power remains the key index of global status.”

I could very easily cite the concluding paragraph of Chapter Three (on p. 68) and be done with this review. I think this paragraph sums up the whole issue admirably. But I won’t – conclude my review, that is. I’ll simply quote the paragraph in full and let you consider the measure of its message. “The problem with the People’s Climate March wasn’t really that it lacked a goal, or that it was distracting, superficial, and vacuous. The problem with the United Nations isn’t that the politicians there are ignorant, hidebound, self-interested, or corrupt. The problem with our response to climate change isn’t a problem with passing the right laws or finding the right price for carbon or changing people’s minds or raising awareness. Everybody already knows. The problem is that the problem is too big. The problem is that different people want different things. The problem is that nobody has real answers. The problem is that the problem is us.”

Perhaps the crux of that problem lies here (on p. 77): “(r)estrained aggression keeps people suspicious of collective action and working hard to overcome their fellows, while constant generalized anxiety keeps people servile, unwilling to take risks, and yearning for comfort from whatever quarter, whether the dulling sameness of herd thought or the dumb security of consumer goods.”

In any case, “…our present and future: droughts and hurricanes, refugees and border guards, war for oil, water, gas and food” (p. 82) puts it all in a convenient economy-sized nutshell.

And if you wonder what’s to be done… “The enemy isn’t out there somewhere—the enemy is ourselves. Not as individuals, but as a collective. A system. A hive” (p. 85).

Scranton’s monograph (the subtitle of which is “Reflections on the End of a Civilization”) is as clarion a call to arms as any I can think of. In her review of LEARNING TO DIE…, Naomi Klein (whose book THE SHOCK DOCTRINE I read and reviewed at this same Website in May of 2013) termed Scranton’s book “a critical intervention.” Although Ms. Klein concludes her own book on an optimistic note, I’m fairly certain that Roy Scranton’s concluding notes will not be in a similarly major key.

If the urgent suggestion of one ageing Boomer is worth anything to the Gen Xers, Millennials and any other subsequent generations that might still take this raging bull by the horns and try to tame it, I implore you to buy and read this book—and then do something, collectively, with what you take away from that read.

In the meantime, you might do well to heed Roy Scranton’s narrative advice: “(t)hrough the ice ages of the past and into the long summer of the Holocene we carried tools, furs, fire, and our greatest treasure and most potent adaptive technology, the only thing that might save us in the Anthropocene, because it is the only thing that can save those who are already dead: memory (p. 95) … The record of that wisdom, the heritage of the dead, is our most valuable gift to the future” (p. 99).

And yet, does any of it really matter? “The causality behind our human bloom is the same causality behind rainfall, quasars, and the roll of the dice” (p. 113). Perhaps, at the end of the day, all that really matters is that Roy Scranton can choose to warn us, we can choose (or not) to heed his warning, and we can then choose (or not) to roll the dice.

RRB
10/31/15
Brooklyn, NY

23 of 25 people found the following review helpful.
A surprisingly beautiful rumination on the inevitable extinction of humanity
By Nathan Webster
I read this twice before I felt satisfied I could really connect with Roy Scranton's ruminations - but once that switch clicked, I recognized this as about the most beautiful rumination on humanity's eventual extinction that we're likely to read.

It's easy to call this a "climate change" book, but Scranton's narrative does a good job connecting this to geologic history, not the comparitive split second of recent human history. Climate change IS going to happen, humanity in its current form WILL be destroyed - there's no point in crying about it. Not tomorrow, obviously, but eventually. But, it's fairly likely that the children of today's children will be facing a world where much we take for granted has been dramatically changed.

So Scranton is not writing this book as a "drive fewer miles" polemic - as he points out, our reliance on technology burns more fossil fuel in a few minutes than worrying about driving 55 or 65 mph. He is writing literally to wake humanity up to how to learn how to die - because it's coming. We, as humans, are biologically hard-wired to avoid confronting our own personal mortality - much less confront it as a species. He doesn't have any answers as to what we should do, but be more enlightened as to our place in the world, and how we can prepare to adjust to an existential conclusion.

It's funny - candidates for president babble about ISIS as an "existential threat" to the US - it isn't, and will never be. ISIS terrorists could blow up Houston, but the country would survive. In the meantime, an existential threat is happening all around us, every day, and it's denied at every turn. It's just humans being humans - worrying about the broken window in a car with no tires.

So in this book - really, an extended essay - Scranton, without pity or much melodrama, lays out the case that we had our moment, and now that moment is coming to an end. Not in 10 years or 50 years or 150 years - but it's coming, and the by-then long dead and disintegrated Scranton will have the words left behind to say "I told you so."

To paraphrase another column that defends the "pessimism" that a book like this seems to encourage: "We’re not diagnosing cancer because we’re pessimistic – we’re pessimistic because our diagnosis is that this is cancer."

In other words - it's not pessimism to try and convince people that climate change is the problem. The pessimism comes because climate change IS the problem.

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